Sunday Night Film Club - Washington DC

Julie Powell (Amy Adams) is 30-years-old, living in a rundown apartment in Queens and working at a soul-sucking secretarial job that's going nowhere. She needs something to break the monotony of her life, so she invents a deranged assignment: She will take her mother's dog-eared copy of the 1961 classic Mastering the Art of French Cooking by Julia Child (Meryl Streep) and she will cook all 524 recipes. In the span of one year. Based on two true stories, Julie & Julia intertwines the lives of two women who, though separated by time and space, are both at loose ends...until they discover that with the right combination of passion, fearlessness and butter, anything is possible. Also starring Stanley Tucci and Chris Messina. Written and directed by Nora Ephron (Sleepless in Seattle).

Meet at the lamppost at the bottom of the escalator!

Aliens become refugees in South Africa where they are kept isolated from any human contact. While being contained in the refuge being ignored of their welfare, their weapons become the sole interest of Multi-National United (MNU). But only one man , Wikus van der Merwe (Sharlto Copley), can activate these weapons. He becomes hunted for and only one place can give him refuge, District 9. From producer Peter Jackson (Lord of the Rings) and writer/director Neil Blomkamp.

Who is Don Ready? Salesman? Lover? Song Stylist? Semi-professional dolphin trainer? Ready is all of the above, except for a dolphin trainer. When he's asked to help save an ailing local car dealership from bankruptcy, Ready and his ragtag crew descend on the town of Temecula like a pack of coyotes on a basket full of burgers. Selling, drinking, selling and going to strip clubs is their stock and trade. And they do it well. What Don doesn't expect is to fall in love and find his soulmate.

Cold Souls, a metaphysical tragicomedy in which souls can be extracted and traded as commodities. Balancing on a tightrope between deadpan humor and pathos, and between reality and fantasy, the film presents Paul Giamatti as himself, agonizing over his interpretation of Uncle Vanya. Paralyzed with anxiety, he stumbles upon a solution via a New Yorker article about a high-tech company promising to alleviate suffering by deep-freezing souls. Giamatti enlists their services, intending to reinstate his soul once he survives the performance. But complications ensue when a mysterious, soul-trafficking “mule,” transporting product to and from Russia, “borrows” Giamatti's stored soul for an ambitious, but unfortunately talentless, soap-opera actress. Rendered soulless, he is left with no choice but to follow the trail back to bleak St. Petersburg